In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
This is the first full study of one of the most popular and extensive forms of eighteenth-century literature, the voyage narrative. It illustrates the wide variety of published and unpublished material in this field, from self-satisfied official accounts to the little-known narratives of victims of the press-gang.
It includes a survey of writings about the Pacific - including Cook’s voyages and Bligh and The Bounty; there is a major new study of William Dampier, studies of writings about the slave-trade, and accounts of seamen and passengers, including Fielding and Mary Wollstonecraft. This is a book about writing, rather than exploration and adventure, dealing with the devious routes from the actuality of experience to the production of self-serving narratives. These are narratives of energy, vitality and interest, set within the context of British competitive sea-going imperialism.