In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
SHORTLISTED FOR THE ARA HISTORICAL NOVEL PRIZE 2022
SHORTLISTED FOR THE FICTION INDIE BOOK AWARDS 2023
'He tilted his desk lamp so that the light fell on the image. The head of a bright bay colt gazed out of the canvas, the expression in the eyes unusual and haunting.'
A discarded painting in a roadside clean-up, forgotten bones in a research archive, and Lexington, the greatest racehorse in US history. From these strands of fact, Geraldine Brooks weaves a sweeping story of spirit, obsession and injustice across American history.
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South, even as the nation reels towards war. An itinerant young artist who makes his name from paintings of the horse takes up arms for the Union and reconnects with the stallion and his groom on a perilous night far from the glamour of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse - one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
With the moral complexity of March and a multi-stranded narrative reminiscent of People of the Book, this enthralling novel is a gripping reckoning with the legacy of enslavement and racism in America. Horse is the latest masterpiece from a writer with a prodigious talent for bringing the past to life.
'Geraldine Brooks' soulful tour de force ... The storytelling is magical and so too are the characters, whose pleasure and pain we feel intensely' The Australian Women's Weekly
'Bring[s] to light the way that race and power are encoded into everyday interactions ... a deeply compassionate novel' Weekend Australian
'Brooks' chronological and cross-disciplinary leaps are thrilling... [Horse] is really a book about the power and pain of words... Lexington is ennobled by art and science, and roars back from obscurity to achieve the high status of metaphor' New York Times Book Review
'[A] sweeping tale ... fluid, masterful storytelling ... [Brooks] writes about our present in such a way that the tangled roots of history, just beneath the story, are both subtle and undeniable' MAGGIE SHIP
SHORTLISTED FOR THE ARA HISTORICAL NOVEL PRIZE 2022
SHORTLISTED FOR THE FICTION INDIE BOOK AWARDS 2023
'He tilted his desk lamp so that the light fell on the image. The head of a bright bay colt gazed out of the canvas, the expression in the eyes unusual and haunting.'
A discarded painting in a roadside clean-up, forgotten bones in a research archive, and Lexington, the greatest racehorse in US history. From these strands of fact, Geraldine Brooks weaves a sweeping story of spirit, obsession and injustice across American history.
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South, even as the nation reels towards war. An itinerant young artist who makes his name from paintings of the horse takes up arms for the Union and reconnects with the stallion and his groom on a perilous night far from the glamour of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse - one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
With the moral complexity of March and a multi-stranded narrative reminiscent of People of the Book, this enthralling novel is a gripping reckoning with the legacy of enslavement and racism in America. Horse is the latest masterpiece from a writer with a prodigious talent for bringing the past to life.
'Geraldine Brooks' soulful tour de force ... The storytelling is magical and so too are the characters, whose pleasure and pain we feel intensely' The Australian Women's Weekly
'Bring[s] to light the way that race and power are encoded into everyday interactions ... a deeply compassionate novel' Weekend Australian
'Brooks' chronological and cross-disciplinary leaps are thrilling... [Horse] is really a book about the power and pain of words... Lexington is ennobled by art and science, and roars back from obscurity to achieve the high status of metaphor' New York Times Book Review
'[A] sweeping tale ... fluid, masterful storytelling ... [Brooks] writes about our present in such a way that the tangled roots of history, just beneath the story, are both subtle and undeniable' MAGGIE SHIP