In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
'My journey to this book is the culmination of a long-held fascination with the history and currency of Australia’s domestic interior. Having been born in a remote, desert-bound Queensland town, I have felt its power as a solace; a retreat from the extremities of the Australian environment. The interior provided a zone in which we were kept safe, but so too were our traditions, behaviours and belief systems. As I sifted through the pages of Australia’s nineteenth-century advice manuals on the subject, featuring caverns of formal furniture suites, patterned carpet, velvet drapes, china cabinets, occasional tables, and collections of ornaments all awkwardly coalescing in spaces impregnated with the acrid waft of furniture polish, I was struck by the continuum of the interior and its purpose; as a refuge to induce both comfort and confidence.’
Since the earliest days of colonisation white Australians have protectively swaddled themselves in the domestic interior. Faced with a disconcerting and entirely alien environment, the replication of English interiors provided the colony’s settler communities with the tether they sought to a guiding homeland and its comforting rules and practices. Though Australian identity is aligned, truthfully or otherwise, to the ‘masculine’ exterior: the bush, the outback and the beach, women were imperative to settler communities, and so too were the interiors they created. Comfort and Judgement provides a richer, deeper understanding of the Australian home than has been realised before.