In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
In Fat Chance, poet and publisher Kent MacCarter investigates variations on how non-fiction can be reported, taking an uncanny look into sole survivors of major airline crashes, a memoir approach at the surgical complication known as gossypiboma - where an instrument is left behind in a body cavity after surgery - a recount of marketing tactics for children's toys and more.
Columns of justified prose lure you into the familiar channels of reporting facts; you could be mistaken for believing there is no poet or poetry here at all. Yet, the primary purpose of Fat Chance is not the transmission of information, and it thrives on contradiction. Contrary to the title's colloquial meaning, it offers you ample possibility. Here, the journalistic and the poetic collide to liberate language from truth so you can wander in the wide, bountiful space between.
Emotion is denuded from the stories, forcing you to fill the void with your own suppositions and terrors ... rubbernecking at yourself on why you are uncomfortably allured. With its irony and absurdity dialled up to the sublime, you will be confronted by this feel-bad book of the year.
In Fat Chance, poet and publisher Kent MacCarter investigates variations on how non-fiction can be reported, taking an uncanny look into sole survivors of major airline crashes, a memoir approach at the surgical complication known as gossypiboma - where an instrument is left behind in a body cavity after surgery - a recount of marketing tactics for children's toys and more.
Columns of justified prose lure you into the familiar channels of reporting facts; you could be mistaken for believing there is no poet or poetry here at all. Yet, the primary purpose of Fat Chance is not the transmission of information, and it thrives on contradiction. Contrary to the title's colloquial meaning, it offers you ample possibility. Here, the journalistic and the poetic collide to liberate language from truth so you can wander in the wide, bountiful space between.
Emotion is denuded from the stories, forcing you to fill the void with your own suppositions and terrors ... rubbernecking at yourself on why you are uncomfortably allured. With its irony and absurdity dialled up to the sublime, you will be confronted by this feel-bad book of the year.