In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
** AVAILABLE 01 NOVEMBER - PRE-ORDER NOW **
'this book shows just how far, wide and deep the story of Azaria has gone'
The Azaria Chamberlain case was one of the most followed and documented murder trials in our nation's history. And we responded with grief, rage, prejudice and remorse to Lindy directly, through thousands of letters.
Here, Alana Valentine uses a selection of the letters sent to Lindy Chamberlain-Creighton to capture Australians' reaction to the loss of Azaria. The court of public opinion made its own ruling in the case, shown in the hurtful, supportive, accusatory or sympathetic letters received by Lindy in prison. Some of the letters are full of vitriol; some include bizarre theories. More are compassionate, sent by mothers, by people of faith or by those who had suffered similar tragedies. We hear Lindy's voice too, in candid conversations with the author.
The selection is a time capsule of Australia, a reflection of our attitudes and of how far we've come. These are the letters, poems and works of art we were compelled to send to Lindy Chamberlain-Creighton.