In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
The last work by Antigone Kefala, renowned for both her poetry and her prose, one of the first writers to open Australian literature to a diversity of voices, and of the most distinctive and powerful of those voices.
Late Journals completes a trilogy of works in which Kefala develops and expands her range as a memoirist, beginning with Summer Visit (2003), and followed by Sydney Journals (2008), both published by Giramondo. Kefala is not alone in writing in the journal form - Beverley Farmer and Helen Garner are notable contemporaries - but she is remarkable for the poetic resonance and intellectual significance she imparts to her observations. Feeling acutely her position as an outsider, because of her migrant background, she nevertheless expresses a strong sense of community with the writers, artists and thinkers who share her situation, or have influenced her work. The journals abound in portraits and tributes, reflections on art and life, and wonderful descriptions of places and landscapes, which give full reign to her imagination, and her ability to express the vitality and strangeness of the life around her.