In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
Kiffy Rubbo was a dynamic and unique force in Australian art in the 1970s. It was the time of 'the personal is political', of the Vietnam War and the draft, of Indigenous rights and feminism. It was under Kiffy Rubbo's leadership - and at a time when the artistic community was increasingly seen as an alternative to the mainstream political rhetoric — that the George Paton Gallery, at the University of Melbourne, would become known as a vital, nationally recognised centre for contemporary art.
Through Kiffy's visionary and progressive approach, the gallery was transformed into a hub for ideas and discussion, and art-political activism. It became the home for feminist enterprises such as the Women's Art Movement and the Women's Art Register, as well as fostering publications such as the Art Almanac and Arts Melbourne. Many major contemporary artists, such as Elizabeth Gower, Stelarc, Peter Tyndall, and Lyndal Jones, were early exhibitors there.
Featuring contributions by many significant curators, artists, and critics, Kiffy Rubbo: curating the 1970s explores for the first time Rubbo's enduring legacy - and the immense role that she played in nurturing Australian visual - art culture at such a crucial time in its history..