In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
The story of Hong Kong has long been obscured by competing myths: to Britain, a 'barren rock' with no appreciable history; to China, a part of Chinese soil from time immemorial that had at last returned to the ancestral fold. To its inhabitants, the city was a place of refuge and rebellion, whose own history was so little taught that they began mythmaking their own past.
When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim-raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who had covered the region for a decade-realised that she was uniquely positioned to unearth Hong Kong's untold stories.
Lim's deeply researched and personal account is startling, casting new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists who, like Lim, aim to put Hong Kongers at the centre of their own story.
Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong-a site of disappearance and reappearance, power and powerlessness, loss and reclamation.
The story of Hong Kong has long been obscured by competing myths: to Britain, a 'barren rock' with no appreciable history; to China, a part of Chinese soil from time immemorial that had at last returned to the ancestral fold. To its inhabitants, the city was a place of refuge and rebellion, whose own history was so little taught that they began mythmaking their own past.
When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim-raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who had covered the region for a decade-realised that she was uniquely positioned to unearth Hong Kong's untold stories.
Lim's deeply researched and personal account is startling, casting new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists who, like Lim, aim to put Hong Kongers at the centre of their own story.
Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong-a site of disappearance and reappearance, power and powerlessness, loss and reclamation.