In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
Celebrated poet Laurie Duggan's first collection with Giramondo.
Laurie Duggan's new collection begins with poems written during his last year in Britain, in Faversham, a market town in east Kent, with others written on a visit to Australia in 2016 and after his return in October 2018. They contribute to two on-going sequences, Allotments, and Blue Hills, which alludes to the long-running domestic radio serial of the same name.
These are made up of the brief haiku-like poems that Duggan has made his own: impressions, mysterious conjunctions, oddities and contradictions, the small details that express large forces, as in his observations of the landscape, the weather, domestic and suburban settings. In the final section, Afterimages, Duggan offers descriptions of paintings and comments on artists, and sometimes imaginary constructions of what a particular artist might have done, but the real point is to create poems which stand like art works in their own right.