In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
A stunning art book of Quilty's most recent collection of paintings from his series 'Free Fall'
'This series, titled "Free Fall", was heavily influenced by American realist George Bellows' early 20th-century boxing series. Where Bellows looked to boxing, the premier bloodsport of his age, Quilty has turned to the modern phenomenon of the Ultimate Fighting Championships (UFC). Looking back on Quilty's work in recent years, his ongoing exploration of heavily abstracted, tortured anatomies, perhaps it was inevitable these figures, or their kin, would end up in a fighting pit, aka the 'UFC Octagon'. Crucially, while studying Bellows, Quilty revisited the iconic images taken by photojournalist (and cousin) Andrew Quilty of the 2005 Cronulla riots. Here, the beach and the Octagon are corresponding zones, symbolically potent places steeped in friction, violence and ritual.' - from the Foreword by Milena Stojanovska