In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. She and her sisters-in-law, married to three brothers in a single ceremony, spend their days hard at work in the family's 'china room', sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk.
Spiralling around Mehar's story is that of a young man who in 1999 travels from England to the now-deserted farm, its 'china room' locked and barred. In enforced flight from the traumas of his adolescence - his experiences of addiction, racism, and estrangement from the culture of his birth - he spends a summer in painful contemplation and recovery, before finally finding the strength to return 'home'.
Sahota’s China Room follows a powerful, multigenerational story, seamlessly transporting you from 1929 Punjab to 1999 Britain. The story begins with Mehar, a 15-year-old bride-to-be, and along the way we are introduced to Mehar’s great-grandson.
For the most part, this is a quiet, unsweetened novel—most conversations take place behind closed doors, with hushed voices. Nevertheless, Sahota intersperses political and social turmoil, challenging us to confront cultural norms and the ways in which honour and womanhood are inexplicably interwoven.