In order to get more accurate results, our search has the following Google-Type search functionality:
If you use '+' in front of a word, then that word will be present in the search results.
ex: Harry +Potter will return results with the word 'Potter'.
If you use '-' in front of a word, then that word will be absent in the search results.
ex: Harry -Potter will return results without the word 'Potter'.
If you use 'AND' between two words, then both of those words will be present in the search results.
ex: Harry AND Potter will return results with both 'Harry' and 'Potter'.
If you use 'OR' between two words, then bth of those words may or may not be present in the search results.
ex: Harry OR Potter will return results with just 'Harry', results with just 'Potter' and results with both 'Harry' and 'Potter'.
If you use 'NOT' before a word, then that word will be absent in the search results.
ex: Harry NOT Potter will return results without the word 'Potter'.
Placing '""' around words will perform a phrase search. The search results will contain those words in that order.
ex: "Harry Potter" will return any results with 'Harry Potter' in them, but not 'Potter Harry'.
Using '*' in a word will perform a wildcard search. The '*' signifies any number of characters. Searches can not start with a wildcard.
ex: Pot*er will return results with words starting with 'Pot' and ending in 'er'. In this case, 'Potter' will be a match.
In her exquisite poems, Marjon Mossammaparast explores the physical experience of being human, bound to four dimensions, matched with the belief we are also spirit beings.
And to Ecstasy is a poetic journey through space and time, projecting a transcendental element of reality. In her exquisite poems, Marjon Mossammaparast explores the physical experience of being human, bound to four dimensions, matching it with the belief we are also spirit beings. At its core, this work contemplates the desire to move beyond the limitations of bodies, into an expanded metaphysical notion of identity, carried by intuition.
Mossammaparast constructs the collection, arranged in three parts, from displaced fragments and mere glimpses. Through the call and response of landscapes and countries, there is the constancy and insistence of reconciliation. This is the language of the exile- not just geographically, but a spirit constrained by the physical seeking return home.
Where all that is vibrant vibrates
beyond the sticking place of names
to the borderfields where signs change their value-
Split a piece of wood, and I am there;
lift up the stone, and you will find me.